Jeannette LoVetri is founder and director of The Voice Workshop™, creator of Somatic Voicework™ and creator of the original course for Contemporary Commercial Music Vocal Pedagogy, which for 13 years garnered over 1200 participants from all over the USA and 12 foreign countries.The work is unique, practical and based on voice science, vocal health and vocal function. It has received rave reviews from vocal experts in every discipline and has had a significant influence on vocal pedagogy worldwide.

For 45 years LoVetri has delved into every aspect of singing as both teacher and vocalist. Her studies took her to the world’s greatest voice experts and through all manner of vocal investigation. Her work with laryngologists and speech language pathologists, and her broad base of experience teaching all levels of singers from beginners to international celebrities, has allowed her to develop an approach to teaching singing that is effective with all of today’s Contemporary Commercial Music styles.

Michelle Rosen is in her sixth year teaching musical theatre majors at Tisch School of Drama. She previously taught BFA musical theatre majors as assistant professor at Rider University, Westminster College of the Arts for seven years. She spent fifteen years teaching young people at the Grammy-winning Brooklyn Youth Chorus, and is in demand as a private teacher in her Brooklyn, NY studio. She holds a master’s degree in vocal performance from NYU Steinhardt and received the Distinguished Voice Professional certificate from the New York Singing Teachers' Association. Certified in Somatic Voicework™ The LoVetri Method since 2005, she joined the CCM Vocal Pedagogy Institute faculty in 2012 and is now Senior Faculty at the LoVetri Institute for Somatic Voicework™ in residence at Baldwin Wallace University. Ms. Rosen has enjoyed a performing career in musical theatre and opera and has sung folk music and performed in a rock band. Performing credits include various settings of "The Phantom of the Opera," notably as Christine in the Lloyd Webber Phantom in Germany. Other credits include Aldonza in "Man of La Mancha", Rosabella in "The Most Happy Fella", Carrie in "Carousel", Jeanie in "The Stephen Foster Story", as well as leading roles in such operas as "The Medium" and "Dialogues of the Carmelites". She has appeared in Europe, in New York venues, in regional theatres across the country and on National Tours, and twice had the honor of singing the National Anthem at Shea Stadium.

Elizabeth “Betsy” Fiedler teaches music in her own private studio, and is the Director of Music at Holy Family of Nazareth Church. In addition, she is an adjunct faculty member at Mount Wachusett Community College, the Voice Consultant for the Arts Magnet at Burncoat High School, and is a soloist at local churches, colleges, and with the Greater Gardner Community Choir. Betsy enjoys performing on the stage at Theatre at the Mount and Greater Worcester Opera Company, and sings at local nursing homes. She has recorded 3 CDs of contemporary Christian Music. Her enthusiasm for music spills over into her teaching style and is evident in her performances. She has interest in many types of music from classical and sacred, to music theatre and jazz. Her love of learning has compelled her to seek out additional professional development and course work with the motivation of becoming the best teacher and singer possible. She holds a BS and MM in Music Education, and has completed coursework in Vocal Pedagogy. Betsy is certified in Levels I, II, III of Somatic Voicework ™ the LoVetri Method, and is a member of the National Association of Teachers of Singing, National Pastoral Musicians, and National Association for Music Education.

Jeff Costello, BAA, M.Ed. As a vocalist, drummer, guitarist and sound engineer, Jeff has performed pop and rock music for thirty-five years (including three years in a Regional Touring Act) and has been a public school choir director for twenty-four years. He also directed a classical music church choir for ten years.  In his school choirs he incorporates a great deal of Contemporary Commercial Music (CCM) and utilizes sound/recording equipment daily in his classroom. In 2018, Jeff presented How to Stage a Choir Rock Concert at the Association for Popular Music Education Conference in the Nashville area.  This past January, Jeff launched the Zeeland Academy of Music, a private and small group lessons studio in a retail space in downtown Zeeland, MI, where he has lived and taught nearly his entire life.

Benjamin Czarnota is currently on the voice faculties of Ashland and Heidelberg Universities, Czarnota was the Coordinator of Musical Theatre Voice at the University of the Arts in Philadelphia and a voice faculty member at the Baldwin Wallace Conservatory of Music for over ten years. Students have performed leading roles on Broadway in the casts of American Psycho, Anastasia, Godspell, Hands on a Hard Body, Kinky Boots, Les Misérables, The Lightning Thief, ONCE. Private studio members range from a Tony award-winning singing actress to a speaking actor in a one-person play portraying dozens of uniquely voiced characters across the full spectrum of gender, age, and origin.

Czarnota originated the role of Mr. Webb in the world premiere of Ned Rorem's operatic setting of the iconic Thornton Wilder play Our Town. Other notable roles include Stanley Kowalski in Previn’s A Streetcar Named Desire, Guglielmo in Così fan tutte, Schaunard in La Bohème, and Count Almaviva in Le nozze di Figaro. Regional music theatre roles include the title role in Sweeney Todd, Marcus Lycus in A Funny Thing Happened on the Way to the Forum, Freddy in My Fair Lady, the Father in Children of Eden and, most recently, Emile de Beque in South Pacific.

Billy Gollner is a singer, musician, voice teacher, and piano teacher currently based in Vancouver, Canada. Billy recently returned to Vancouver from London, UK where he was working as a singer and voice teacher.

Billy has been working full time as a voice and music teacher since 2012. In London, Billy had the honour of teaching singing at the Urdang Academy (a London-based Performing Arts University) in their Bachelor’s of Musical Theatre Program. The program is very intensive and competitive, providing students with the requisite skills for success in London’s highly competitive West End. In addition, Billy managed his private voice studio in Vancouver, Canada, and continued to teach students from all over the world online, from London to Australia, Singapore to Alaska, Brazil to Japan.

Billy holds a Master of Arts degree from The Royal Conservatoire of Scotland in Musical Theatre Performance, a Bachelor of Music in Voice from Vancouver Community College, a Bachelor of Arts in Communications, Art, and Technology from Simon Fraser University, and a Certificate of Liberal Arts from Simon Fraser University. For his Bachelor of Music, Billy was honoured to be named the valedictorian of his graduating class. While attending Simon Fraser University, Billy received the Communications Alumni Endowment Award for excellence and creativity in writing; in addition, he was a member of the Golden Key Honour Society and on the Dean’s List.

Jamie Leonhart is a New York City based singer/songwriter and educator, with a focus on pop, jazz and other CCM styles. Leonhart’s private studio clients range from karaoke novices to touring artists, ages 9 to 81.  She works with independent middle and high schools in New York, coaching jazz and contemporary band singers and private students, as well as college-level singers at the New School.

She has directed, written for, and performed as a soloist and ensemble member of vocal jazz ensembles, a cappella groups, gospel choirs, and Off-Broadway musicals. She is an accomplished vocal arranger and songwriter. 

Leonhart is a Certified Somatic Voicework™ the Lovetri Method teacher, trained to teach in a curious, mindful, science-based manner.  Her goal is to help singers find their voices and give them the tools needed to strengthen and free their instruments both physically and emotionally.

Leonhart leads performance and creative workshops and works with theater groups, choruses and small vocal groups. She works in collaboration with body workers and Speech Language Pathologists to serve her students holistically.

Leonhart is employed as both a commercial voiceover artist and vocalist (Trulia, Tresemmé, Kohl’s, Betty Crocker, Neutrogena brand, and more) and also works extensively as a touring and recording background and session singer (Steely Dan, Donald Fagen, St.Vincent, Judy Kuhn, Paul Brill.)  She was a soloist in the Metro Mass Gospel Choir and has performed in leading roles at the 92nd street Y Lyrics and Lyricists series. Her debut record, the truth about suffering was released on Sunnyside Records. Leonhart is a 2015 commissioned NEW YORK VOICES artist of The Public Theater/Joe’s Pub, under which she created her one-woman musical narrative, Estuary: an artist | mother story. Leonhart’s sophomore recording, the illusion of blue, will be released fall 2021. 

As an internationally recognized voice pedagogue in contemporary music, Dr. Trineice Robinson-Martin has dedicated her career to performing and developing resources for teaching jazz, gospel/Christian, R&B, rock, country and pop singing styles in an applied/private voice lesson setting. She maintains faculty positions as a lecturer, voice teacher, and ensemble director at Princeton University, and newly formed in Fall 2021, Roc Nation School of Music, Sports, and Entertainment at Long Island University-Brooklyn Campus. In addition to her academic appointments, Dr. Trineice is a certified instructor and faculty member of the LoVetri Institute for Somatic Voicework™ at Baldwin Wallace; serves on the National Faculty in the academic division of Gospel Music Workshop of America, serves as the Executive Director of the African American Jazz Caucus Inc., serves as a Board of Director for the Jazz Education Network, serves on the Editorial Board of the Journal of Singing, and is a member of the distinguished American Academy of Teachers of Singing.

As creator of Soul Ingredients® Methodology, Robinson offers virtual and in-person Teacher Training courses in Soul Ingredients® Voice Teacher Training Academy and LoVetri Institute and in is the founder of Soul Ingredients® Voice Studio. Soul Ingredients® methodology shows students how to take their personal experiences, musical influences, and models, and execute the various components in a manner that is personal to the singer/performer’s own expression.

The title of Dr. Trineice’s 2021 debut album, All Or Nothing, billed under “Trineice Robinson” reflects the whole-hearted spirit with which she’s approached every facet of her wide-ranging career. It captures the passion, confidence, and dazzling scope of her rich, expressive voice, which DownBeat Magazine hails as “redolent with power… stunning.” But it also represents the dedication and commitment that she’s brought to an impressive career as a renowned educator, researcher, scholar, and clinician. She’s recorded with such jazz greats as Cyrus Chestnut, Nnenna Freelon, Kenny Davis, and Vince Ector, and was part of the “Standing in the Shadows of Motown” tour along with Peabo Bryson, Leela James, and James Jamerson Jr. New York Music Daily praised Robinson as “an individualist who defies categorization: there’s the immediacy of classic soul music here, coupled to jazz sophistication, gospel rapture and fervor.”

More information on Dr. Trineice Robinson-Martin and Soul Ingredients® methodology can be found at www.DrTrineice.com.

Janis Brenner is a multi-award-winning dancer/choreographer/singer/teacher/collagist and Artistic Director of Janis Brenner & Dancers in NYC. Known for “meticulous artistry," she has toured in 36 countries and received “Best Performance” (2018) and the Critics’ Choice Award (2019) at the United Solo Theatre Festival Off-Broadway for the interdisciplinary, one-woman show Inheritance: A Litany, a “Bessie" Award in Meredith Monk’s work The Politics of Quiet, Lester Horton Award in L.A., major grants from the Fund for US Artists at International Festivals, Asian Cultural Council, Trust for Mutual Understanding, O'Donnell Green Music & Dance Foundation, US Embassies in Moscow, Bosnia, Jakarta and Dakar, and a commission for The Memory Project from the Whitney Museum of American Art.

Her work has been commissioned/restaged on more than 50 companies and colleges worldwide. Ms. Brenner was with Meredith Monk and Vocal Ensemble from 1990 - 2005, 2014, recording on ECM Records, and she teaches improvisation, composition, repertory, and movement/voice workshops worldwide. She danced with the Murray Louis Dance Company working with Rudolf Nureyev, Placido Domingo, Dave Brubeck Quartet, Bat Sheva Dance Company, and Alwin Nikolais. She was on faculty at The Juilliard School from 2009-21. Janis Brenner & Dancers has performed throughout the world since 1989 and served as Cultural Ambassadors on numerous tours.

Mark S. Courey, MD is professor and Chief of Laryngology, Director of the Grabscheid Voice and Swallowing Center of Mount Sinai. As the first otolaryngologist in the United States to complete formal fellowship training in laryngology, Dr. Courey has focused his practice on the management of patients with voice and swallowing difficulties since 1992. He is recognized nationally and internationally for his leadership in developing Laryngology as a subspecialty and has been instrumental in training more than 50 national and international laryngologists. Dr. Courey has extensive experience in the requirements of vocal performance. As an Adjunct Professor at the Belmont School of Music, Dr. Courey studied vocal performance and taught Anatomy and Physiology of Voice to vocal performance majors, master’s students in vocal pedagogy and teachers. Throughout his career Courey has cared for many commercial vocal performers and has served as the physician to the Nashville Opera and the San Francisco Opera. In addition, to pioneering and developing the modern techniques of laryngeal microsurgery, Dr. Courey is known for his promotion of the interdisciplinary team approach to the management of patients and his desire to help patients avoid surgery whenever possible.

Poetic and passionate, American vocalist, composer and improviser Dominique Eade blends musical virtuosity with a songwriter’s straightforward emotional sensibility, creating music that has garnered critical acclaim, inspired audiences, and served as a creative signpost for generations of singers.  The New York Times called Eade “an exceptional singer” with a “wide vocal range and a grasp on the intricacies of style,” one “who weighs a chanteuse’s coolness against a jazz musician’s exploratory instincts.”  The Atlantic Monthly recognized Eade for her “rich voice and effortless delivery” while the Boston Phoenix called her music “sublime and daring.” Eade’s performances throughout the United States, Latin America and Europe include the Buenos Aires Jazz Festival, the Bell Atlantic Jazz Festival, Mountain Stage, the Rigas Ritma Jazz Festival, the Panama Jazz Festival, the Molde International Jazz Festival, and the What is Jazz Festival, and clubs such as Los Angeles’ The Jazz Bakery, New York’s The Blue Note, The Five Spot and The Jazz Standard, D.C.’s Jazz Alley and Boston’s RegattaBar.  Eade was signed to RCA Victor in 1998, recording with jazz luminaries Dave Holland, Victor Lewis and Benny Golson.

Deemed “a fearless collaborator” by pianist Fred Hersch, Eade’s musical associations have ranged from Alan Dawson and Stanley Cowell to MacArthur grant recipients Ran Blake and Anthony Braxton.  In 2017, NPR Critic Nate Chinen listed Blake and Eade’s performance of music from their critically acclaimed Town and Country (Sunnyside) at New York’s Park Avenue Armory as one of the Top Ten Jazz Performances of the year. Eade has recorded and co-produced 7 CD’s under her name, landing her on top ten lists at Billboard, NPR, Entertainment Weekly, DownBeat magazine, the Jazz Journalist Association, and elsewhere. Appearing as a guest in jazz and contemporary classical ensembles including the Either Orchestra and Boston Musica Viva, Eade is the featured vocalist on the 2020 Dave Douglas/Elan Mehler album, If There Are Mountains (Newvelle). Eade was nominated for Best Debut Artist in the 1998 First Annual Jazz Awards in New York City, and received the 2006 Outstanding Alumni Award at New England Conservatory, where as a teacher for over 3 decades, she has mentored an array of talented musicians including Roberta Gambarini, Michael Mayo, Rachel Price, Sofia Rei, Jorge Roeder, Sara Serpa, Sarah Jarosz, Darynn Dean, Luciana Souza, Akenya Seymour, Jo Lawry, Aoife O’Donovan, and many others.

“An immensely appealing sound. (The New York Times)

“Her voice was rich and clear and strong in all ranges; she had musicianship and cool intelligence…she had absorbed some of Sarah Vaughan’s fearsome technique.” (The New York Times)

 “For all her virtuosity, it’s her sound that carries the performance.” (The New York Times)

“Eade’s singing was marvelous, whether singing actual words or applying her voice to instrumental lines.” (The Boston Globe)

Dr. Anita L. Kozan, Ph.D., CCC is a speech and language pathologist who has specialized in care of the speaking voice, singing voice, and voice production for people who are transgender or gender diverse for over 40 years. Her Ph.D. dissertation research, Perceptual Judgments of the Effects of Warming Up the Voice for Singing (University of Minnesota-Minneapolis, 1995) demonstrated that experienced teachers of singing correctly identified the warmed-up singing voice in 39 of 40 female trained and untrained singers in age ranges 20-29 and 50-69. Kozan opened Minnesota’s first Voice Laboratory offering Videostroboscopic evaluations of the Larynx at United Hospital in St. Paul, MN in 1987. She currently has a small private practice, the Kozan Clinic for Voice, Speech and Spirit, LLC in Minneapolis, MN. She sees clients on Skype and Zoom. Kozan is author of the chapter, The Singing Voice, in Voice and Communication Therapy for the Transgender and Gender Diverse Client: A Clinical Guide, Plural Publishing, 2006, 2012, and 2019, third edition with co-author, Sandi Hammond. Kozan received a Diversity Champions Award from the American Speech Language Hearing Association in 2009, the same year that she received a Lavender Magazine Pride Award for her work with the transgender and bisexual communities. She is co-host and co-producer of Bi Cities, “the longest running cable TV show on bisexuality in the history of the world,” which she co-hosts and co-produces with Dr. Marge Charmoli in St. Paul. Kozan has a CD of voice exercises, Relax and Breathe, for the development of speaking and singing voice, and breath support. She has lectured at the state, national and international levels, including ASHA, USPATH and WPATH. She has completed all three levels of Somatic Voicework™. Kozan is an accomplished singer and songwriter, plays keyboards and alto sax, and holds the U.S. copyright on 10 compositions.

Claudio F. Milstein is the Director of the Voice Center at the Cleveland Clinic, and the coordinator for the area of Voice and Voice Disorders at the American Speech and Hearing Association. He is an associate Professor of Surgery at the Cleveland Clinic Lerner College of Medicine, and holds an Affiliate Scholar appointment at Oberlin College. Originally from Buenos Aires, Argentina, he completed his Masters in Speech Language Pathology at the Medical School of the University of Buenos Aires, and was a professor at the National Conservatory for Dramatic Arts in Buenos Aires, specializing in voice for stage. After relocating to the USA, he received his doctorate in Speech Sciences from the University of Arizona, interned at the Massachusetts Eye and Ear Infirmary at Harvard Medical School, and at the Speech Research Laboratory, Massachusetts Institute of Technology (MIT).

His clinical interests are in laryngology and voice disorders. He has been actively involved in the clinical management of voice patients for over 20 years, has authored numerous publications related to the human voice and its disorders, and is frequently invited as a lecturer at national and international meetings. His expertise in voice, particularly in the treatment of Functional Dysphonias and Paradoxical Vocal Fold Motion and related disorders has garnered media interest, with radio, newspaper and television interviews across the United States and South America, including National Public Radio (NPR), ABC World News, Fox News and MSNBC. Through the media outlets, he has been able to reach, educate, and advise thousands of patients with voice disorders and healthcare providers across America. His current areas of interest include laryngeal hyper-reactivity, functional voice disorders, upper airway dysfunction, and care of the professional voice.

Leah Ross-Kugler, MS CCC SLP, a speech language pathologist, specializes in voice disorders and has served many prominent laryngologists in the NY Metropolitan area. She has been a voice and singing consultant at MEETH (Manhattan Eye Ear and Throat Hospital), The Grabscheid Voice Center at Mt. Sinai and at the Institute for Voice and Swallowing Disorders at Phelps Memorial Hospital. She now maintains a private practice both in Croton-on-Hudson and Brooklyn, NY, and recently serves patients via Telehealth for respiratory retraining therapy. With a background in both music and art (a former opera singer and textile designer), Ms. Ross-Kugler has sought creative ways to help children and adults with voice, breathing, articulation and language difficulties. Ms. Ross-Kugler has co-lectured with MDs in the Manhattan, Westchester and Rockland areas about vocal health and has designed yearly events for World Voice Day to increase public awareness of the human voice. She has been invited to submit articles for books and magazines. Her vocal exercises for children were published in Exercises for Voice Therapy, (first and second editions), by Alison Behrman and John Haskell. Her Pediatric Voice article appeared last year in Phelps Today. She wrote a voice chapter in Lizandra Vega’s book, The Image of Success: Make a Great Impression and Land the Job You Want. She is a member of ASHA (American Speech Language Hearing Association), SID3 Voice, Voice Professionals of Westchester, the Voice Foundation in Philadelphia and a co-chairperson for the Voice Study Group of NY.

Best known for his years on Broadway, as the co-starring role of “Mary Sunshine,” in the 1996 revival of CHICAGO with Bebe Neuwirth, Ann Reinking, and Joel Grey, David Sabella made history during the 1995 Luciano Pavarotti International Voice Competition when Maestro Pavarotti publicly declared him to be “Excellent… not good, Excellent!” In addition to Broadway, Sabella appeared with Chita Rivera at Mandalay Bay (Las Vegas) and later returned to the Broadway company with Melanie Griffith as Roxie Hart, where he remained until 2004. He worked on The Visit, Kander & Ebb’s last collaboration, for which John Kander wrote the role of Luis Perch especially for him.

Off-Broadway Sabella received an “Outstanding Lead Actor in a Play” award for his work in The Phillie Trilogy. He also starred as Julian Eltinge in Jules, and as dazzled audiences in a double role in Kiss and Make Up (written specifically for him, Lucille Lortel Theater).

As a concert artist he has appeared in NYC at both Carnegie Hall and Lincoln Center (Avery Fisher Hall AKA David Geffin hall), as well as Feinstein’s/54 Below, Jazz at Lincoln Center (Mabel Mercer), Birdland Theater, The Laurie Beechman Theater, Urban Stages, Pangea, Judy’s Chelsea, Don’t Tell Mama, and at numerous venues across the country.

As a voiceover artist, Sabella appeared on several network television cartoon series, including Peter Pan and the Pirates for FOX, with Tim Curry, and Teacher’s Pet for Disney, with Nathan Lane. And, as a classical singer, Sabella starred as the title role in Handel’s Giulio Cesare (Virginia Opera, recorded on Koch International Label), Monteverdi’s L’incoronazione di Poppea (Utah Opera), and Strauss’ Die Fledermaus (Lincoln Center). He was a winner of The New York Oratorio Society Competition at Carnegie Hall, and The Luciano Pavarotti International Voice Competition.

Continuing Education
Baldwin Wallace University School of Education CEUs

Graduate level credits are available for music educators teaching in the United States through Baldwin Wallace University School of Education for this course. One CEU is available for LoVetri Institute for Somatic Voicework Levels I, II & III and Soul ingredients® Levels I & II, each with an additional fee of $208.00. Registration for CEUs can be added to your regular attendance fees when you register online.

• Lovetri Level I: Baldwin Wallace EDU-565-PM8
• Lovetri Level II: Baldwin Wallace EDU-565-PM9
• Lovetri Level III: Baldwin Wallace EDU-565-PM10
• Introduction to Soul ingredients®: Baldwin Wallace EDU-565-PM11
• Soul ingredients®, Developing the Artist: Baldwin Wallace EDU-565-PM12

The LoVetri Institute Scholarship offers financial aid to vocalists and artists attending The LoVetri Institute for Somatic Voicework™.

To donate to the fund, use this link.
Make sure to select the Designation as "Other" and then enter "LoVetri Scholarship" in the box (see example below).

Somatic Voicework™ changed my teaching by giving me tools to help students understand the anatomy and physiology of their own voices, how they make sound, eventually how to recognize and control it in a performance situation. My students enjoy discovering these “superpowers” in their voices. It’s exciting to empower singers (and speakers) with the tools they can use to develop their voices and reach their goals.
-Cymber Quinn, Teacher
Denver, CO

This is the most accurate voice course I’ve ever been to!
-Karin Bengmark, Singer, Voice Teacher
The Academy of Music and Drama, Gothenburg University, Sweden

Studying Somatic Voicework™ has had an undeniably positive impact on both my singing and my teaching. Singers from all around the world, representing a wide variety of musical genres, quickly form bonds of friendship and mutual support. My only regret about studying Somatic Voicework™ is that I didn't start sooner!
-Andrea Wolper, Jazz Vocalist, Songwriter, Teacher
New York, NY

Attending The LoVetri Institute for Somatic Voicework™ has completely changed my teaching and singing. Jeanie’s Solution Sequences are very helpful and I have learned to really hear and see what’s working with my students and what isn't working, and how to get to the solution!  Jeanie is passionate, patient, and knows how to diagnose the problem, and work with you to the solution. I really loved working with vocalists who sing opposite styles and us teaching one another.
-Karen Carr, Assistant Professor, Voice
Berklee College of Music, Georgetown, MA

I LOVED watching Jeanie work … and hearing from a working Broadway Music Director about what is actually happening in New York is priceless!
-Deborah Conquest, Voice Faculty
Nazareth College, Rochester, NY

The most comprehensive and compassionate vocal pedagogy!
-Kaoruko Pilkington, Voice Faculty
Berklee College of Music, Georgetown, MA

Somatic Voicework™ has changed the way I teach and the way I approach the voice in general. My language and direction [in lessons] has become clearer, long and short term goals have become more refined, exercises are more purposeful and effective, and the student leaves each lesson in better voice than they walked in with…It is the kind of work that one summer of study does not suffice due to its deep, holistic and interdisciplinary nature. I can't wait to come back for more.
-Elana Hedrych, Vocal Artist, Composer, Teacher
New York, NY

The program gave me a set of tools that takes the guess work out of working in multiple styles.
-Jay Gardner, Professor of Voice
Collin College, Plano, TX

Somatic Voicework™ fundamentally changed the way I approach my teaching. With a more complete understanding of voice science and functional training, I am more capable in my work. Jeanie’s approach is scientifically sound and so accessible. It has surpassed my expectations.
-Michael Walsh, Professor of Music
Lone Star College-Montgomery, Houston, TX

The grounded, practical approach I have been looking for. This is bodywork for the voice.
-May Oskan, Associate Vocal Coach
Songbird Studios, Bay Area, CA

Not only is Somatic Voicework™ a clear method for understanding and teaching singing, it is a method steeped in patience, kindness and continual learning.
-Alexandra Platos Sulack, Performer, Voice Teacher
Chicago, IL